Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Jean Baptiste Camille Corot
L'enfant au chapeau haut de forme (mk11)

ID: 20988

Jean Baptiste Camille  Corot L'enfant au chapeau haut de forme (mk11)
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Jean Baptiste Camille  Corot L'enfant au chapeau haut de forme (mk11)


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Jean Baptiste Camille Corot

1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.  Related Paintings of Jean Baptiste Camille Corot :. | Honfleur (mk11) | The Colosseum View frome the Farnese Gardens | appelskord i ariccia | Les Maisons Cabassud a Ville-d'Avray (mk11) | Horseman on the road |
Related Artists:
Marquis, James Richard
Irish, Scottish heritage, Active 1835-85
Palma il Vecchio
(c. 1480 - July 1528), born Jacopo Palma or known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. He is called Palma Vecchio in English ("Old Palma" - in Italian Palma il Vecchio) to distinguish him from Palma Giovane, his great-nephew. When Palma arrived in Venice early in the 16th century, he reputedly was a companion and competitor of Lorenzo Lotto, and to some extent a pupil of Titian. He may also have taught Bonifazio Pitati and influenced Giovanni Busi. Palma's earlier works betray the influence of the Bellini.
Carel Van der Pluym
1625-1672






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